Search
Search
News
Multimedia
Sports
Arts & Culture
Opinion
Subscribe
Life & Times
Fine Arts
Features
Send a News Tip
100 Years
Archive
Advertise
Donate

Subscribeto The Echo

The Echo

Friday, March 24, 2023 Print Edition

Donate

  • News
  • Sports
  • Opinion
  • Arts & Culture
  • Life & Times
  • Features
  • Fine Arts
  • Multimedia
  • Archive
  • 100 Years
  • Advertise
  • Send a Tip
  • News
  • Sports
  • Opinion
  • Arts & Culture
  • Life & Times
  • Features
  • Fine Arts
  • Multimedia
  • Archive
  • 100 Years
  • Advertise
  • Send a News Tip
Search

Subscribe

Subscribe to The Echo

The Echo aims to represent the views of diverse voices on Taylor University's campus fairly and without bias and to be a vehicle of accurate and pertinent information to the student body. The Echo also aims to be a forum that fosters healthy discussion about relevant issues, acting as a catalyst for change on our campus.

Fill out my online form.

9/13/2021, 11:00am

First production props the door

‘Borrowed Babies’ starts important conversations

By Danielle Pritchard
First production props the door

The set design for “Borrowed Babies” aimed to mimic the time periods of the 1950s as well as the 1980s. (Photo provided by Melayna Borg)

Share

  • Share
  • Tweet
  • Mail
  • Print

Higher education has historically been limited for women, with few options in the early 20th century outside of courses preparing them to take care of their homes as mothers and wives.

Female Taylor students and staff have raised this discussion in their recent production of Jennifer Blackmer’s “Borrowed Babies.” 

Reflecting on the practice homes of mid-1900s America, “Borrowed Babies” is set in both the 1950s and 1980s. The show focuses on a home economics professor, Judy London, her students and one of the practice babies who returns looking for answers about the past. 

These domestic (or home) economics classes culminated in shared residences where the students would refine their home-making and childcare abilities, spending months in artificial homes quite literally playing a game of “house.”

Some of these homes utilized orphaned children as “practice babies” who would be returned after they had grown. Until then, they were shared between classes, passed on at the end of each course. The programs were eventually discontinued due to decreasing popularity and modern attachment theory raising concern for the emotional welfare of the babies. 

“(The show) looks at the role of women during this time, and the education of women,” said junior Claire Vock, member of the production's cast, costume shop supervisor and costume designer. “The balance between wanting a career, or certain dreams, and being limited by the fact that you’re a woman or limited by the fact that you have a family.”

These practices, which continued for decades, are rarely discussed, if at all, today. While both leasing children and restricting education based upon sex are easily condemnable now, the conversations around topics like these aren’t over. 

“All the comments that are made about women and women’s roles are like things that are still true today,” Vock said. “Maybe not as severe or obvious, but (there are) still women struggling.”

The topic of the show is significant, even more so considering the work behind Taylor University’s production of “Borrowed Babies.” Written by Blackmer and first presented at Ball State in 2018, students had the opportunity to put a fairly new work on stage. 

Blackmer, who is a friend of Tracy Manning, the director of theatre at Taylor, had shared her work with Taylor theatre students before when visiting as a speaker. 

Jennifer Wolcott, Taylor alumna and current adjunct professor in the music, theatre and dance department, directed the play while Manning joined students on stage as a part of the cast.

This production is the first of this season, serving as the scholarship show for the year. The scholarship show raises money for theatre scholarships, and the cast typically consists of alumni and community members. This year, many members of the cast, costume designers and set designers were current students. With such production responsibility on their shoulders and just over three weeks to prepare on campus, the crew had to work hard to complete this project. 

“This program is so small, we all have to have our hands in different areas to make the art happen, and that gives a sense of pride in the work,” Vock said. “And yes, there are moments of tiredness and fatigue, but we learn so much.”

Taylor University students and alumni presented “Borrowed Babies” on Sept. 10 and 11 at 7:30 p.m. and on the 12 at 2 p.m. in the Mitchell Theatre.

Share



Related Stories

Taylor Theatre opens spring semester with their production of “Guess Who’s Coming to Dinner.” (Photo by Anna Collins)

“Guess Who’s Coming to Dinner” Premiers

By Olivia Yatooma

The cast of Taylor University’s production of ‘Godspell’ rehearse, preparing for their completely outdoors production. (Photograph by Anna Collins)

Reviewing Taylor's first pandemic production

The Rice Bell Tower patio represents the seven anchor points of Taylor University.

Updates made to bell tower

By Taylor Budzikowski


Most Popular


3/7/2023, 12:00am

People ponder meaning behind panini press posters

By Lilia Snyder

D.C. raises awareness for new dining options


3/8/2023, 12:00am

Looking into the abortion debate


3/17/2023, 12:00am

Foodie Fix: Spotlighting Ashley’s Ice Cream


2/27/2023, 12:00am

Arizona J-term trip cherished by Taylor baseball, softball


The Echo To Homepage
  • About Us
  • Contact
  • Covers
  • Awards
  • Get Involved

All Rights Reserved

© Copyright 2023 The Echo

Powered by
Solutions by The State News.

Taylor University